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Torquenado Directory 08
Page 07
Hiero, so long the faithful ally of Rome, died shortly after the battle of Cannae (B.C. 216), and was succeeded by his grandson Hieronymus, a vain youth, who abandoned the alliance of Rome for that of Carthage. But he was assassinated after a reign of fifteen months, and a republican form of government was established in Syracuse. A contest ensued between the Roman and Carthaginian parties in Syracuse, but the former ultimately prevailed, and Epicydes and Hippocrates, two brothers whom Hannibal had sent to Syracuse to espouse his interests, had to quit the city, and took refuge at Leontini. Such was the state of affairs when the Consul Marcellus arrived in Sicily (B.C. 214). He forthwith marched against Leontini, which Epicydes and Hippocrates defended with a considerable force. He took the city by storm, and, though he spared the inhabitants, executed in cold blood 2000 Roman deserters whom he found among the troops that had formed the garrison. This sanguinary act at once alienated the minds of the Sicilians, and alarmed the mercenary troops in the service of Syracuse. The latter immediately joined Hippocrates and Epicydes, who had made their escape to Herbessus; the gates of Syracuse were opened to them by their partisans within the walls, and the party hostile to Rome was thus established in the undisputed command of that city.
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
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